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Its been a while since I've done a shoot with a male model. The last time was with Mr Zylden, which was my first time shooting a male. At the time, it was very different for me, I felt clumsy, stupid & didn't know what to do.
Second time round however, I felt a lot more confident. I must admit, working with Le Roux was actually a huge amount of fun. I think we both enjoyed the late afternoon session.
Just on a personal note, I've been reading things about "The best tips you've ever recieved" when it comes to photography. There are alot of different points & things that come out by various people. One of them which stood out the most was one which said, "Use only a fixed prime lens & it will teach you better composition". So, thats what I did. The entire shoot with Le Roux was done with the ever trusty 50mm f1.8 mk2. I enjoyed myself so much more having to move around to get my composition than rather standing in one spot with a zoom.
And then one other thing with the shoot with Le Roux. The way I shot it. If you saying, "Um, there is a SUN behind your model!"..... I kind of noticed that too. In fact, I went looking for the sun. I know its not everyone's taste, shooting into your lightsource, but I really like that style.
It floats my boat, rows my canoe, lights my fire, paddles my... you get the point. :) I love it. If you don't think so, well, opinion is your choice.


So last week, I ventured forth to JHB once again, where the hub of all business seems to take place. Going for a mix of time-out & also a few business meetings, I couldn't go without doing a bit of photo taking.
I did one shoot with a model called Adele, who endulged some time with me on a Friday morning.
I did something different with this shoot which I want to talk about. Non-post processing high key shooting. Here, let me show you:
Would you believe me if I said this image was a straight RAW file conversion, with zero PP? Not even some RAW file tweeking was used here. You want to know how? Of course you do.
Ok, here is the straight stats:
iso 100
1/30
f2.2
You going to have to get that camera off its Auto feature for this one...
Now you might try this & say, whats going on here? Its not giving me high key. This is true. But what is high key? Its having high highlights, but without losing all image data in those highlights. You too often see badly mangled super-high contrasted images which are meant to be pass-offs for highkey. Unfortunately this isn't what we going for here...
The next thing we need to do is introduce a light source. This was done on a rather 'light' package. I used a strobist technique here. I wasn't going to cart all my lights up with me, so I just brought some speedlights instead. Putting them behind me, pointing upwards (NOT directed at the model) I had them flood the room (bounced off the roof & walls) with ambient light.
Here you can have some fun controlling your 'degree' of high key. Much like your normal studio heads, you can set the power setting on your strobist gear too. Playing around with 1/1 all the way down to 1/64 power settings, you can vary your degree of high key-ness. For the above image, I can't remember exactly what power setting I used, but it was a smallish room which didn't need much.
I hope that this little technique helps someone who has wanted to try high-key photography. And the beauty of this technique is that there is zero post processing. Just make sure you have a good makeup artist & you don't even need to touch up the models skin.
Here are a couple more using this technique.

Its official. StG Studios is sponsoring The Soap Girls. To get things onto a quick start, their first official shoot took place on Friday past. Plenty outfits done, to cover a very open broad base of needs. From here, individual specific shoots will be done.